(Although we have a few comments to make regarding the film as a whole the majority of this review will be dedicated to the story’s adaptation from page to screen.)
Gavin Hood’s Ender's Game takes a science fiction classic and visualizes it with dazzling realism and originality. The opening is rough and plagued by hokey dialogue but as the story progresses it gradually comes into its own, culminating in arguably the most breathtaking climactic end battle in all of science fiction to date, although the penultimate battle scenes leading up the climax feel truncated, making the third act feel rushed. Asa Butterfield (the principal lead) delivers a performance that becomes increasingly impressive as the film progresses.
As both writer and director, Hood impressively adapts difficult material to the silver screen, improving notable segments from the book such as the battle school sequence and simulated battles, and correlating Mazer Rackham’s final battle with Ender’s active progress during the course of the main plot.
However, some adaptation decisions were more poorly chosen, such as the near total absence of Ender's older brother, Peter, who features so prominently in terms of theme and character development (for Ender) but is almost completely absent from the film, despite his being referenced often. As written, the character of Peter should have been omitted altogether to prevent unnecessary dilution of the plot. Also the psychologist character whose presence remains strong throughout the story is so poorly written and spouts redundant dialogue and concepts that are not illustrated in the film, especially earlier in the portions. So much more could have been done with the character to both expand and draw out Ender's character but very little is ever utilized. The character ends up as a bloated element of fat filled with hot air.
Ender's Game's greatest weakness is its botched final reveal. By showing an additional point of view (an excellent adaptation choice) the filmmaker expands on the world of the story but presents the new information in a way that prematurely gives away the ending, thereby lessening the potential impact of one of the greatest reveals in science fiction history.
Despite its shortcomings, Ender’s Game is an enjoyable cinematic journey through an original world tantalizing to viewers who are fans of science fiction. Ender’s Game was adapted from the widely known novel of the same name by Orson Scott Card.
Rating: 3.5 / 5
Compact all-encompassing reviews from a storyteller's perspective which examine structure, execution, technical and spectacle in a brief, efficient format.
Showing posts with label book. Show all posts
Showing posts with label book. Show all posts
Tuesday, January 28, 2014
Monday, October 14, 2013
Starship Troopers, a sci-fi novel by Robert A. Heinlein
A nearly forgotten military sci-fi classic by author Robert A. Heinlein, Starship Troopers pushes science fiction beyond the commonplace genre novel toward the realm of literary fiction and its penchant for universal truth. By setting the story in a futuristic fictional setting, the author disassociates the book with any specific real-world war, allowing him to focus on a thorough examination of theme and moral philosophy.
Part science fiction novel, part moral essay, Starship Troopers devotes considerable time to philosophizing about the role of the soldier, the military, and the obligations of individuals in a collective society, especially to their fellow man. Drawing from the author’s own experience in the Armed Forces, Heinlein uses his well thought-out universe to constructively criticize the faults of American society through the eyes of a militaristic fascist one.
The novel’s thematic backbone creates a solid skeleton through which to elegantly explore the psychology of the soldier, specifically the infantryman, as he graduates through the various phases of his career from pre-enlisted civilian through mature officer. Heinlein also explores adjacent branches of this theme tree, including the developing relationship between master and student, commander and enlisted man, and father and son. With each new step toward maturity the protagonist sees the military machine with greater discernment and understanding (the military organization being a thematic substitute for ‘the world’ because in this case the military is the protagonist’s world).
Despite being published in 1959, Starship Troopers provides the experience of reading a novel written 10 or 20 years later than its actual publication date. Unfortunately, the dated dialogue continually bursts this illusion, ever reminding us that the novel was written in the 1950s. An over-use of unnecessary dialogue hedges such as “Uh” and “Umm” at the beginning of character responses slows the pace of many scenes and takes the reader out of the world of the story.
Readers expecting heart pumping action and thrilling space battles will be sorely disappointed in Starship Troopers. Heinlein deliberately steers clear of these tropes by means of the anti-“war genre” (e.g., anti-genre) to maintain focus on his themes and the insightful exposure of a combat soldier’s psychological journey. Despite the agedness of the book, many of his philosophical ideas remain universally valid to this day.
Starship Troopers was adapted for the big screen in 1997 by writer Edward Neumeier and director Paul Verhoeven.
Rating: 4.5 / 5
Part science fiction novel, part moral essay, Starship Troopers devotes considerable time to philosophizing about the role of the soldier, the military, and the obligations of individuals in a collective society, especially to their fellow man. Drawing from the author’s own experience in the Armed Forces, Heinlein uses his well thought-out universe to constructively criticize the faults of American society through the eyes of a militaristic fascist one.
The novel’s thematic backbone creates a solid skeleton through which to elegantly explore the psychology of the soldier, specifically the infantryman, as he graduates through the various phases of his career from pre-enlisted civilian through mature officer. Heinlein also explores adjacent branches of this theme tree, including the developing relationship between master and student, commander and enlisted man, and father and son. With each new step toward maturity the protagonist sees the military machine with greater discernment and understanding (the military organization being a thematic substitute for ‘the world’ because in this case the military is the protagonist’s world).
Despite being published in 1959, Starship Troopers provides the experience of reading a novel written 10 or 20 years later than its actual publication date. Unfortunately, the dated dialogue continually bursts this illusion, ever reminding us that the novel was written in the 1950s. An over-use of unnecessary dialogue hedges such as “Uh” and “Umm” at the beginning of character responses slows the pace of many scenes and takes the reader out of the world of the story.
Readers expecting heart pumping action and thrilling space battles will be sorely disappointed in Starship Troopers. Heinlein deliberately steers clear of these tropes by means of the anti-“war genre” (e.g., anti-genre) to maintain focus on his themes and the insightful exposure of a combat soldier’s psychological journey. Despite the agedness of the book, many of his philosophical ideas remain universally valid to this day.
Starship Troopers was adapted for the big screen in 1997 by writer Edward Neumeier and director Paul Verhoeven.
Rating: 4.5 / 5
Monday, October 15, 2012
As I Lay Dying, a literary novel by William Faulkner
As I Lay Dying examines the uncensored inner monologue of family members
experiencing deep grief in what is more aptly titled a work of narrative poetry than literary fiction. Seemingly
written in a single fever-pitch binge, Faulkner’s poignant discourse and
extensive use of symbolism comes to the reader through the enigmatic filter of the
inner mind.
As I Lay Dying warrants close
study and an open mind. It is not for
everyone.
Rating: 4 / 5
Monday, October 1, 2012
The Girl with the Dragon Tattoo, a mystery thriller novel by Stieg Larsson ("Quickie" Review)
By James Gilmore
The Girl with the Dragon Tattoo by
Stieg Larsson is an altogether
pleasurable and smooth read, even in spite of the frequent, overly burdensome
exposition and a vast proliferation of details almost too numerous for the
reader to continually to keep in mind, requiring an extra dosage of
concentration while reading.
As for the character of Lisbeth Salander, she is one of the most
fascinating, inescapably magnetic characters in modern fiction, a curiosity or
enigma that sucks us into slavering to learn more about her.
The author Stieg Larsson passed away on November 9, 2004.
Rating: 4 / 5
Tuesday, June 26, 2012
Pirate Latitudes, a novel by Michael Crichton
By James Gilmore
Pirate Latitudes is taut genre novel
written by one of the modern masters of suspense, Michael Crichton. Intense and inventive, the action and drama
never fail to entertain in a story laden with clever ideas in plotting and
execution while widely diverse, fascinating characters populate the novel. Crichton fulfills and defies every pirate
cliché by making them his own, transforming each element into something unique
and poignant and exploring to its logical, if not surprising, conclusion.
Unfortunately, Pirate Latitudes once again exhibits
Crichton’s two major weaknesses: (1) his talent for gullibly accepting stereotypes (valid or not)
based on his research, and (2) failing to provide any greater depth or meaning
beyond the story itself, which is where the limit of the story’s impact can be
felt most.
A thrilling ride for Crichton and pirate lovers; a guilty pleasure for
lit-heads.
Rating: 3 / 5
Tuesday, June 19, 2012
Of Mice and Men, a literary novella by John Steinbeck
By James Gilmore
Of Mice and Men might as well have been
called “the ranch of broken dreams.” Presenting
itself like a stage play in all but format, author John Steinbeck maintains
Aristotle’s
unity of place and time by focusing our attention on a microcosm inhabited by
two men who share a single hollow dream.
Ultimately, their dream collapses due to their own human weaknesses and
those of their fellow men. The
fundamental core of the story illustrates how human beings latch onto hope,
real or imaginary (but in either case perceived as actual), as a goal to strive
for, as a reason for living, and how and why reality seldom plays out like our
dreams say they ought.
Of Mice and Men packs brutal
emotional impact through realistic, layered characters and relationships in
this structurally sound novella.
Readers will find Of Mice and Men much more accessible than Steinbeck’s far more brutal Grapes of Wrath, and should be required reading for any serious
reader or storyteller.
Rating: 5 / 5
Tuesday, June 12, 2012
Eight Hundred Leagues on the Amazon, a novel by Jules Verne
By James Gilmore
Among the great works of literature by Jules Verne are such classics as
Twenty
Thousand Leagues Under the Sea, A
Journey to the Center of the Earth, Around the
World in Eighty Days and The Mysterious Island. What you will not find nested among those
works is a novel called Eight
Hundred Leagues on the Amazon (La
Jangada is the original title)—and for good reason. One wouldn’t be so surprised at the quality (or
lack thereof) of the novel had it been Jules Verne’s first attempt
at the craft, but it mystifyingly appears at the very heart of his career
alongside the greats.
Despite pretense of adventure, 800 Leagues is for all intents and
purposes a family melodrama with only trace amounts of “adventure.” The novel is a dull read and hardly
believable. Sorely lack in conflict, the
text is often insultingly redundant, the author reiterating known facts in such
a fashion that the reader can’t help but feel like he is trying to fill space
in a balloon filled with hot hair. This
effectively reduces the pacing of the novel to that of a dying snail. The linear, predictable story submarines the uneventful
plot with rare exception. Any changes in
the story occur entirely by means of deus
ex machinae, which leaves the hands of the characters out of events almost
entirely, save one or two instances, scuttling their raison d'être.
Overshadowing the weak dramatic impact of the book is the fact that it reads
like a pedantic love letter to the Amazon River, like a wan
excuse to wax poetic about this illustrious body of moving water. Although informative, it reduces the novel’s
literary value to a mere historical survey of Amazonian river tribes who would
cease to exist a century later.
The characters in the novel tend to be shallow in depth and over
dramatic. The antagonist is the most
interesting and compelling of the cast.
Unfortunately, his presence is minimal.
Despite some interesting tangents concerning facts about the Amazon River and a few florid
descriptions, the novel is thin, flat, artificially contrived and obvious.
A caution to all who tread here: Eight
Hundred Leagues on the Amazon is Jules Verne’s worst. Despite a 5-star rating (from 2 reviews) on Amazon.com at the time of this writing, place this novel on your list of
“books to avoid at all costs.” Feel free
to sample the free
Kindle book (if you dare).
Rating: 1.5 / 5
Tuesday, June 5, 2012
The Grand Design, by Stephen Hawking
By James Gilmore
It is not my habit to review non-story materials but I thought a brief
experiment might be acceptable.
It is not my habit to review non-story materials but I thought a brief
experiment might be acceptable.
The Grand Design is yet another book
by the mastermind Stephen
Hawking concerning the makeup of our universe. While a fascinating read, the book spends
almost its entirety on the history of the field which built the foundation for
quantum physics. A Layman’s History of Physics would be a much more apt title. The book only expresses one real opinion
which is made plain at the very end—essentially that M-Theory rocks and
everything else sucks.
Not Hawking’s best. A
tantalizing and thought-provoking read nonetheless.
Rating: 3 / 5
Monday, May 7, 2012
Damned, a novel by Chuck Palahniuk
Damned by Chuck Palahniuk follows
the idea that every cliché you’ve ever heard about Hell is absolutely and
completely true. And Hell isn’t really
that bad of a place so long as you don’t expect it to be like Heaven. All it needs is a little optimism and some long-overdue
re-landscaping by the supernumerous tenants.
The book is creative, thoughtful and entertaining, and is probably more
broadly-appealing to readers than most of Palahniuk’s other, more shockingly
gruesome works. With trim, lean writing
the author creates the most sympathetic, likeable protagonist of his
career. To his credit, the 13-year old
female protagonist is thoroughly authentic in thought and viewpoint, which
allows Palahniuk to lead the character to a number of unusually profound conclusions. Like the protagonist, every member of the
supporting cast is similarly illustrated with sympathetic—if not tragic—human
weaknesses. As the backstories of these characters
are revealed the reader becomes continually haunted with the idea that there is
no Heaven at all, and that Hell is for everyone.
Despite its strengths, Damned is
not Palahniuk’s best. His trademark technique
of using repetition in changing contexts fails to fulfill its purpose in this
novel. The result is frequently negatively
iterative, if not, at times, indulgent.
The structure of the final act is particularly weak as well, giving the
impression that the novel was cut short of the full story the author was trying
to tell. Virtually without warning, we
are ushered to a rapid climax which dissipates anti-climactically. The pivotal idea to the story’s final
revelation—that the main character is driven by free will—is hindered by the
poor structure and ultimately results in invalidating all the story which
preceded it by making it feel pointless.
Damned is worth a read,
especially for those who love anti-fundamentalist and anti-liberal satire.
Rating: 3 / 5
Monday, April 23, 2012
Babbitt, a literary novel by Sinclair Lewis
by James Gilmore
Babbit by Sinclair Lewis is
an all-but-forgotten literary masterpiece which espouses the hollowness of
blind conformism. At the surface, the
novel appears to be about a successful businessman entering (and surviving) a mid-life
crisis. But more accurately, Babbitt is about a man whose identity only
exists by means of his compromising conformity to everyone else. He struggles between being the person everyone
thinks he should be and what he really wants for his own life, although he has
become so entrenched in the conformist society that he cannot escape. In this he discovers that he is weak and
pathetic, a living cliché, a human example of meaningless and futility.
Babbitt is a true character
piece which explores every facet of the completely repressed individual in a
society of demanding conformity. The
text remains engrossing despite constantly straddling the line between thoroughness
and repetitiveness. Unfortunately, reading
the novel can be arduous due to its very slow story development.
Babbitt was internationally successful
at the time it was published while domestically the novel’s brazen but accurate
depictions and accusations of America offended or mystified many readers. Every student of American literature should
study Sinclair’s Babbitt.
Rating: 5 / 5
Monday, April 9, 2012
Pygmy, a novel by Chuck Palahniuk
by James Gilmore
Although all of Chuck Palahniuk’s novels satire American culture, Pygmy is perhaps the most pungent of the
author’s bibliography.
Technically sound, fascinating and shocking. And while many readers may take issue with
the nature of certain violent events which occur in the story, these events are
in fact appropriate to the story, even if they are presented in a fashion to
maximize shock factor.
The audio book recording of the book is an excellent alternative for
Palahniuk fans who wish to avoid the grammar headaches of reading the novel’s
own form of pidgin English, which can be extremely laborious.
Pygmy is an absolute
must-read for fans of Chuck Palahniuk. However,
strangers to his work may find the book distasteful if not virtually impossible
to read. On the other hand, adventurous readers
should absolutely give the book a perusal.
Rating: 4 / 5
Tuesday, June 28, 2011
Other Voices, Other Rooms, a literary novel by Truman Capote
by James Gilmore
Rich, luxurious prose which reproduces in intimate the detail the cultural mores, mindset and isolation of the gothic rural American South. The main drive of the plot is the unraveling of the mystery of protagonist's father's identity, which ultimately leads to the loss of innocence and the realization that reality/life is a cruel and twisted master, of whom we only catch a sliver's glimpse. Perhaps the most powerful strand of the story is the sub-theme regarding love and how it far more complex, and thus far more painful, than the youthful ideal of meet-love-marriage, as embodied by the character of Randolph.
Other Voices, Other Rooms should be considered a companion piece to To Kill a Mockingbird, by Harper Lee. Both are colorful, insightful penetrations into the gothic American South in which both Harper Lee and Truman Capote are depicted as childhood friends and protagonists.
Other Voice, Other Rooms refers to shadows, memories—places people have been, voices that have sounded, ephemeral ghosts which burn brightly and then disappear, as if from a distant place and time. Once innocence is shed, you can never return to the past.
Rich, luxurious prose which reproduces in intimate the detail the cultural mores, mindset and isolation of the gothic rural American South. The main drive of the plot is the unraveling of the mystery of protagonist's father's identity, which ultimately leads to the loss of innocence and the realization that reality/life is a cruel and twisted master, of whom we only catch a sliver's glimpse. Perhaps the most powerful strand of the story is the sub-theme regarding love and how it far more complex, and thus far more painful, than the youthful ideal of meet-love-marriage, as embodied by the character of Randolph.
Other Voices, Other Rooms should be considered a companion piece to To Kill a Mockingbird, by Harper Lee. Both are colorful, insightful penetrations into the gothic American South in which both Harper Lee and Truman Capote are depicted as childhood friends and protagonists.
Rating: 5 / 5
Wednesday, May 25, 2011
Wicked: The Life and Times of the Wicked Witch of the West, a novel by Gregory Maguire
by James Gilmore
Wicked: TLaTotWWotW is a masterwork of storytelling on all fronts. It is an epic in the classic sense; a true Greek Tragedy.
Maguire's re-imagining of Oz entails a complex plot cast against an even more complicated background, with multifarious--but utterly human--relationships which do not gloss over the less glamorous aspects of weakness, regret, and mistakes made. Furthermore, the author demonstrates an intimate understanding of culture, the succession of religions, humanity and the human condition (as is the subject of all great literature), and the oxymoronic fickleness of perspective and public opinion.
Woven throughout with a powerful spell of thematic material, which elucidates a living discussion concerning the nature of evil, the author presents us with an array of possible answers to its (non-)existence instead of a narrow, single-minded conclusion. The core of Wicked is best summed by a secondary character named Boq: "People who claim that they're evil are usually no worse than the rest of us," and, "It's people who claim that they're good, or anything better than the rest of us, that you have to be wary of."
Rating: 5 / 5
Wicked: TLaTotWWotW is a masterwork of storytelling on all fronts. It is an epic in the classic sense; a true Greek Tragedy.
Maguire's re-imagining of Oz entails a complex plot cast against an even more complicated background, with multifarious--but utterly human--relationships which do not gloss over the less glamorous aspects of weakness, regret, and mistakes made. Furthermore, the author demonstrates an intimate understanding of culture, the succession of religions, humanity and the human condition (as is the subject of all great literature), and the oxymoronic fickleness of perspective and public opinion.
Woven throughout with a powerful spell of thematic material, which elucidates a living discussion concerning the nature of evil, the author presents us with an array of possible answers to its (non-)existence instead of a narrow, single-minded conclusion. The core of Wicked is best summed by a secondary character named Boq: "People who claim that they're evil are usually no worse than the rest of us," and, "It's people who claim that they're good, or anything better than the rest of us, that you have to be wary of."
Rating: 5 / 5
Strange As This Weather Has Been, a literary novel by Ann Pancake
by James Gilmore
Aside from being slammed in the face with a sledgehammer labeled "Mountaintop removal mining is BAD" every paragraph, Strange As This Weather Has Been delivers strikingly eloquent characters and prose with unparalleled craftsmanship.
Many elements illustrate or elaborate the themes in the novel quite well while far too many seem to serve no other purpose than redundant milieu. For those who relish character work and language this is the book for you, but general readership will find it a work of willpower as they struggle to overcome breathtaking boredom due to a near-complete lack of forward story progress.
Although an enviously gifted writer, Pancake should consider serious outlining before writing her next novel or stick to her specialty: literary short stories about Appalachia.
Rating: 2 / 5
Aside from being slammed in the face with a sledgehammer labeled "Mountaintop removal mining is BAD" every paragraph, Strange As This Weather Has Been delivers strikingly eloquent characters and prose with unparalleled craftsmanship.
Many elements illustrate or elaborate the themes in the novel quite well while far too many seem to serve no other purpose than redundant milieu. For those who relish character work and language this is the book for you, but general readership will find it a work of willpower as they struggle to overcome breathtaking boredom due to a near-complete lack of forward story progress.
Although an enviously gifted writer, Pancake should consider serious outlining before writing her next novel or stick to her specialty: literary short stories about Appalachia.
Rating: 2 / 5
The Great Gatsby, a novel by F. Scott Fitzgerald
Calm, flowing prose on a near subconscious level floats the reader to a violent two-punch ending. Fitzgerald illustrates how careless wealthy people destroy those around them, even men destined for greatness such (as Gatsby), leaving everyone else to pick up the painful pieces. From another angle, Gatsby delivers a scathing opinion of capitalism by depicting it as superficial, debauched and criminal, as embodied by Gatsby himself, a man who came from nothing but gained everything through enterprising opportunism and less-than-legal means. It should have been a short story, but Fitzgerald dragged it out into a novel three times its necessary length, and somehow created one of the most recognized titles of 20th century literature.
Rating: 3 / 5
Ham on Rye, a novel by Charles Bukowski
by James Gilmore
People want beautiful lies, not the ugly truth. So here's the ugly truth. Quinessential Bukowski (and thus also redundant Bukowski), he reduces tumultuous stages of growing up into grit and fact through simple, beautiful, stabbing prose in a human juxtaposition of outer toughness and painful inner sensitivity. One might consider this a 1982 "rewrite" of Catcher in the Rye. A must for any Bukowski fan or seekers of raw truth. An offensive piece of trash for sensitive readers and those who prefer safe masks and beautiful lies.
Rating: 4 / 5
People want beautiful lies, not the ugly truth. So here's the ugly truth. Quinessential Bukowski (and thus also redundant Bukowski), he reduces tumultuous stages of growing up into grit and fact through simple, beautiful, stabbing prose in a human juxtaposition of outer toughness and painful inner sensitivity. One might consider this a 1982 "rewrite" of Catcher in the Rye. A must for any Bukowski fan or seekers of raw truth. An offensive piece of trash for sensitive readers and those who prefer safe masks and beautiful lies.
Rating: 4 / 5
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