Jiro Dreams of Sushi, a documentary film by David Gelb

By James Gilmore

Jiro Dreams of Sushi is a small film, minimalist in every respect.  Tender, intimate, and honest, this documentary demonstrates majestic simplicity.  Crisply shot with the Red One and Canon 7D, David Gelb ability to capture compact but meaningful cinematic visuals reveals a subtle storytelling genius.  The film’s flavorful imagery all but places each dish onto your watering tongue.  Although Jiro lacks the polish of a high-budget studio film, raw elements such as the modest, inconspicuous soundtrack (as minimalist in composition as the movie itself) work in favor of the film instead of against it.

Superficially, Jiro provides an insightful cross-section into the alien microcosm of a world-class sushi chef in Japan and its thematically related orbiting satellites.  But on a deeper, more profound level Gelb’s documentary illuminates the relationships of fathers and sons—and by extension, masters and apprentices—as universal, transcending both culture and context.

Simple, honest, gorgeous.  A masterful accomplishment for a young filmmaker, worthy of the praise of foodies and cinephiles alike.  Place Jiro Dreams of Sushi on your must-see list—and then plan on going out for sushi. 

Rating:  5 / 5

Argo, a film by Ben Affleck

By James Gilmore

Ben Affleck’s Argo takes a clumsy script and transforms it into a seat-riveting filmic experience.  He and his skillful editors successfully impress artificial tension upon the audience in spite of the script’s many shortcomings.  Script problems magnify when translated to the big screen, and such issues become very evident as characters reveal their lives to each other in standalone cutaway scenes that serve no plot purpose.  Affleck’s protagonist character, Tony Mendez, is poorly written, making him too weak and impotent in comparison to his fellow cast members.

The audience will feel a sudden jolt as they are thrust into and out of a tongue-in-cheek Hollywood sequence that is not in keeping with the tone of the rest of the film, and ultimately comes across as a series of inside jokes among Hollywood types more than a cohesive story segment.  The final confrontation between protagonists and antagonists proves to be the most artificial construct of all, where editing alone creates the tension, not the clash of goal and obstacle, desire and counter-desire.

In short, Ben Affleck should quit acting and direct full-time, but he needs to learn to push the script to a final polish before jumping into making the film itself.  With such spectacular directing talent it is a waste to not use equally judicious judgment in finishing the screenplay, as is evident in both Argo and his feature film directorial debut, Gone Baby Gone.  Still, audiences eagerly await his next work.

Rating: 3.5 / 5

As I Lay Dying, a literary novel by William Faulkner

By James Gilmore

As I Lay Dying examines the uncensored inner monologue of family members experiencing deep grief in what is more aptly titled a work of narrative poetry than literary fiction.  Seemingly written in a single fever-pitch binge, Faulkner’s poignant discourse and extensive use of symbolism comes to the reader through the enigmatic filter of the inner mind.

As I Lay Dying warrants close study and an open mind.  It is not for everyone.

Rating:  4 / 5

1632, an alternative history novel by Eric Flint

By James Gilmore

Eric Flint’s 1632 is an alternative history science fiction novel about a small town in present day West Virginia that is suddenly transported back in time to Germany during the devastating Thirty Years’ War in the year 1632.  At its heart, 1632 is a romantic view of classic American ideals clashing with and conquering those of the oppressed, war-torn 17th century continental Europe, pushing normal small town folk into extraordinary circumstances.

Eric Flint executes the unusual and exceptionally difficult premise with marvelous ease and methodical reasoning, exploring the promise of the premise with detailed thoroughness.  Despite reviews which misleadingly describe the book as “action packed”  1632 is mostly a relationship-oriented piece with a few periods of intense action counterpointed against extended laconic sections of blossoming romance.

The plentiful characters populating the novel surprise the reader with their variance, color, and very human likeability, which makes the exploration their relationships a pleasure, even if the story does get bogged down in a disproportionate amount of romance during the second act.  The large cast prevents great depth in character development.  Regardless, it’s obvious to the reader that Flint is an author who genuinely loves his characters.

One of the greatest shortcomings of 1632 is its failure to live up to the high stakes generated by the premise.  Main characters have things pretty easy and rarely (if ever) actually lose anything of value, while any obstacles that do arise are circumvented without great difficulty.  Greater challenges and higher stakes conflict are needed in a world where innumerable dangers lurk in the shadows.  Unfortunately, the dangers threaten but seldom actually emerge from the periphery.

Eric Flint’s 1632 may be an acquired taste for most, but don’t hesitate to pick up a copy if you are in the mood for something new, unique and quasi-historical.

Rating:  3.5 / 5

The Girl with the Dragon Tattoo, a mystery thriller novel by Stieg Larsson ("Quickie" Review)

By James Gilmore

The Girl with the Dragon Tattoo by Stieg Larsson is an altogether pleasurable and smooth read, even in spite of the frequent, overly burdensome exposition and a vast proliferation of details almost too numerous for the reader to continually to keep in mind, requiring an extra dosage of concentration while reading.

As for the character of Lisbeth Salander, she is one of the most fascinating, inescapably magnetic characters in modern fiction, a curiosity or enigma that sucks us into slavering to learn more about her.

The author Stieg Larsson passed away on November 9, 2004.

Rating:  4 / 5